I Have a Cold

It’s a doozy, too.  My head feels like it’s swollen a few extra hat sizes and some tiny demons have been hard at work stuffing cotton into my earholes.  Everyday sounds have that far-away, echoish feel to them.  I’m using tea, and fruit juice and broth, etc.  My ribs ache when I sneeze.

While in the throes of a latenight, feverish hallucination, I remembered a long ago visit to Taco Bell.  I was standing  at the counter, probably stoned off my ass, and waiting for half-a-dozen bean burritos to provide some semblance of late-afternoon salvation.

While I waited, a man in construction clothes came bursting through the door.  He  marched up to the counter and flung down his Taco Bell bag.  They had screwed up his order…again.

The way he told it, every f#@king time he went through the drive-thru, they f@#ked up his order.  He wondered aloud what part of no f@#king sour cream they didn’t understand. 

I would like to say the young, inexperienced Taco Bell employees were alarmed and horrified by this madman, but in reality they were probably thinking about sex and liquor.

The manager appeared and had a go at smoothing things out.  The customer was visibly irate.  Apparently, he was the one guy in the world who “didn’t have time for this shit”.

The manager invited the man to look around.  He encouraged him to take in the sterile, corporate surroundings.  He then gently reminded the customer that he had chosen to eat at “Taco F@#king Bell”. 

If five-star service is what you want, the manager said, there are plenty of high-end restaurants in the area.  If, on the other hand, you’d like disinterested, absent-minded, hormonally-charged teenagers preparing your low-budget meal, then you’ve come to the right place.

The manager went into the mysterious “back area” of the restaurant and personally oversaw the preparation of the lunatic’s order.  It’s easy to imagine the muttered cursing, “accidental” dunking of tortillas in dish water, and the general juvenile dick-wiggling that takes place in fast food kitchens which are safely out of the view of unreasonable patrons.

After the man had left, the manager rolled his eyes and said:  “I wish I had his motherf@king problems.”

******

I was once again in my car flipping around the empty, smoldering remains of “radio”.  I was on the AM dial.  There was a ballgame on this afternoon and I was checking in on the progress.  Between innings I cruised up the dial a bit.  I stayed on one station long enough to hear a statement I hadn’t heard in years:

 

“George Bush kept us safe.”

I realized they were right.  I can’t speak for everybody, of course, but I know for a fact that George Bush had kept me safe. 

You can’t say enough about the capabilities of a simple, salt-of-the-earth, east Texas ranch hand (by way of Andover and Yale).

I specifically remember one instance where he showed up at my house and checked the air pressure in the tires of my car as I was preparing for a long trip.

“The left rear’s a bit low,” he said, before trotting next door to hold the ladder while my neighbor climbed up to clean his gutters.

He yelled back something about being able to see the neighbor’s nut-sack peeking out of his  shorts as he climbed.  It was hard to hear exactly what he said because the rotor of Marine One was thumping away nearby.

Thank you, President Bush!  God Bless You!

Movie Review That Daniel Fully Intended To Finish But Then Said: “Ah, Fuck It, What’s The Use?”

 

Capitalism: A Love Story

 

Say what you want about Michael Moore, but he makes movies that get people talking. I’d like to point out that I don’t consider Moore a journalist. With that in mind, I don’t spend a lot of time worrying about how well he vetted his sources. I’ve noticed over the past several years, as Moore’s films have captured the nation’s attention time after time, that a sort of cottage industry of Michael Moore fact-checkers has emerged. That’s fine. There was a point where I used to get in those insane “Yeah, but…Yeah, but….” disagreements with people over the validity of his claims.

 

Not any more. It turns out I don’t know very much about gun control, national security, or health care so I’d rather not waste my time debating these issues. As I went to see his most recent film, I had reviewed in my mind what I remembered about his past work. It occurred to me that they all make two very basic statements and follow them up with one very basic question.

 

Statement 1 – We’ve got a problem.

 

Statement 2 – This is the problem.

 

Question – How did we get here?

 

For me, the moment in Capitalism that resonated the most was when Moore was describing his childhood. He explained (in a voiceover with happy, suburban, 1950′s images of doting (white) housewives and (white) pipe-smoking dads flashing across the screen) how his father had worked at an AC sparkplug factory in Flint, Michigan. On his union salary, he had paid off his house, bought a new car every few years, provided health care for his family, and put his children through college. There were annual family vacations and (here’s the kicker) his mother never had to work.

 

This stroll down memory lane is instantly recognizable to millions of Americans born in the 25ish years after World War II. I can relate to it myself. The single income, suburban family surrounded by the trappings of middle class. What happened?

 

Moore does well when he is dealing with facts, and the facts, in the case of the erosion of the middle class, appear to be that household incomes have not kept up with costs. He throws the percentages out there, I didn’t bother to check them. He may be off with his numbers by a little (or a lot) in either direction, but — on that point, anyway — he’s probably not WRONG. I don’t think anyone can deny that the three biggies: health care, housing, and higher education, are largely out of the question for a single-income household. Unless, of course, that household is willing to assume a crippling level of debt which would be nearly impossible to repay.

 

Moore gets in trouble is with the way he goes about assigning blame, in very simplistic terms, for problems with very complex mechanisms. In the same way that the argument against the invasion of Iraq often includes a reference to Bush’s “buddies at Halliburton”, Moore’s current rant against this bizarre form of capitalism we’ve been subjected to lately tends to focus on the “fat cats of Wall Street”.

 

Does that mean I supported the invasion of Iraq? No. Never. Not even a little bit. I am not, however, naive enough to think that the primary reason for the invasion was for oil or to bolster the portfolios of Dick Cheney’s fishing buddies. I think the invasion of Iraq was allowed because:

 

a. George Bush was a poor leader who probably knew only slightly more about foreign policy and middle eastern culture and relations than the average citizen. As a result, he took foolish advice from people who he trusted and seemed to know what they were talking about.

 

b. The United States Congress (once again) completely neglected it’s constitutional duty and handed over way too much power to the executive branch.

 

c. The people who were advising the president were meglomaniacal idealogues.

 

I’m not saying that Halliburton didn’t profit from the war (that’s the great capitalist idea, after all: anything worth doing is worth doing for money), but it would seem that it was more of a byproduct than the reason “we” went there in the first place. That goes for all that “he tried to kill my daddy” nonsense, as well. Bush was a terrible chief executive. His handlers knew it and exploited it at every turn. Everything to do with the invasion of Iraq begins there.

An Essay That Daniel Doesn’t Feel Like Finishing (Part I)

 

 

 

I was driving down the road, listening to the last dying gasps of terrestrial radio, when it occurred to me that a Lionel Richie song was playing on the “rock” station.  I’ll never be mistaken for a big Lionel Richie fan.  I find him adequate.  He has a smooth, at times sultry voice which certain types of lovers find inspirational (not to mention cheaper than Viagra).   Mr. Richie has a long, successful singing career, but if you’re expecting me to show up at one of his concerts to fling my panties and hotel key on stage, you’ll be waiting a long time.   In other words, I respect what he’s done, but I’d be fine never hearing another one of his songs for the rest of my lives.

 

I flipped around the stations a bit more.  The Eagles here, Hall and Oates there, and then (of course) that annoying song by what’s-his-name.  I returned to what, until very recently I guess, was once the “rock” station.  Frankie Valli was telling some bobby-soxer that she was too good to be true.  So it wasn’t a ”rock” station any more.  And right there, at that moment, in the plush leather seat of my gas-guzzling Chevy pickup, I had an epiphany.   

 

The epiphany went something like this:  I simply didn’t give a shit.  I greeted the news of a “rock” station morphing into an “easy listening” station with a shrug.  It was an all-encompassing shrug, too. 

 

First of all, it wasn’t always this way for me.  I remember, as an adolescent, the corporate muckity-mucks pulled a similar stunt with a favorite Chicago “rock” station.  In the span of 24 hours, Foghat and Deep Purple gave way to Neil Diamond and ABBA.  The acronym “WTF?” hadn’t been invented yet, so we were made to use the actual words (to the dismay of our hard-drinking, chain-smoking parents).  I was young at the time; wide-eyed and pink and ignorant to the cutthroat machinations of corporate radio.  In my youth, I thought the DJ’s were altruistic fans of rock and roll.  I believed that they were performing a labor of love for the benefit of pimpled dudes in Led Zeppelin t-shirts with plastic combs in their back pockets.  How could they just sit back and allow it to happen?  Barbara Streisand?  Are you fucking kidding  me?  It was as if someone had dragged a needle across my heart. 

 

In the decades since — as life has kicked and pounded me into a state of obedient submission — my sense of “how the world really works” has become much more acute.  When it comes to media outlets, it’s about selling chunks of advertising time to Budweiser, McDonalds, Verizon, etc.  You’re sick and tired of hearing Hotel California to the point that you’re ready to pour sulfuric acid into your ear canal if you hear it once more?  Tough shit, bucko.  There are plenty of dunderheads out there who eagerly whip out the air guitar each and every time the Doobie Brothers’ China Grove comes on.  They also chomp Chicken McNuggets by the bucketload.  That  is the audience they’re catering to. 

 

Back to the matter at hand.  As Lionel Richie led into Celine Dion who was followed by Bryan Adams, I realized that I had finally become numb to it all.  My tolerance for corporate manipulation had finally reached the saturation point.  I was at a place in my life where AC/DC’s You Shook Me All Night Long was going to cause me to change the station just as fast as Lost In Love  by Air Supply would. 

A Story Daniel Has No Interest In Finishing (Part1)

I was going to call it Corners or something clever like that, and I intended to finish it, but then it occurred to me that I really didn’t like the main character.  He’s a bit of a dullard and it doesn’t appear that he’s interested in breaking out of that.  The setting is a bit contrived as well.  A gentrified urban American neighborhood in transition.  Big deal.  The overall premise is a bit weak.  Turning a corner is probably meant to symbolize something, but, when I pause to think about it, turning a corner is an awfully generic and worn-out symbol. 

Not only is the story itself quite lame, but attempting to write an interesting story, it turns out, is much more difficult than shoveling down cookie dough ice cream in my boxer shorts while watching spaghetti westerns.  The actual process of doing this stuff is, for lack of a better phrase, a royal Irish pain in the ass, and a good way to ruin an otherwise perfect afternoon or evening.

By putting this unfinished bit of nonsense out for public consumption, I am, in a way, turning a corner.  In the ancient, pre-facebook era, the dozens and dozens of unfinished manuscripts would have sat unmolested and unseen on a hard drive somewhere until I shitcanned (or drunkenly bludgeoned) whatever computer was housing them.

So here is the beginning of a story.  I have no interest in or intention of completing it.  If you read it and think you  can turn it into a more compelling read than the U.S. Tax Code, be my guest.

*******

 

 

 I turned the corner, walked to my apartment building, and went inside.

 

******   

 

I turned the corner, strolled past the few small, local businesses still standing in this part of the city, and entered my apartment building.

 

******

 

Rounding the corner, I was immediately stung by the aroma of curry wafting out the door of the Bombay Restaurant.  Fortunately, my building was a few doors upwind.  I fumbled through my pockets and found my keys among a litter of crumpled betting slips.  The lock at the main entrance was noisy – intentionally so — to give the super a chance to peek out his hole and accost rent scofflaws right out in the lobby.  I turned the key slowly, grimacing all the while, yet no matter how gingerly I worked the key, the ancient tumblers snapped loudly, announcing my presence. 

 

******

 

Every time I came around that corner I thought of Marie.  I remembered the night we were returning from Shakespeare In The Park.  We had stopped for cones; she was a lime sorbet type of gal while I preferred Rocky Road.  We had just come around the corner when she trotted ahead to toss her napkin into the trash can in front of Pete’s barber shop.

 

“Careful,” I warned her, pointing, “there’s dog shit on the sidewalk.”

 

She looked down, laughed, and gracefully sidestepped the mess.

 

“What kind of person doesn’t clean up after their dog?” I complained. 

 

The night was pleasant, coolish early autumn.  Marie rejoined me, wrapping her arms around my waist and nuzzling her head into my chest. 

 

“Do you have a dog?” she asked.

 

“No,” I said.  “You know I don’t have a dog.”

 

“If you did  have a dog, would you clean up after it?” she continued.

 

“Of course,” I said.  “Any decent person would.”

 

“So let it go,” she said.

 

“Excuse me,” I said.  “Let what go?”

 

“Some people don’t clean up after their dogs, Slim,” she said.  “You know this because you’ve undoubtedly stepped in dog shit at some point during your lifetime, haven’t you?”

 

“Yes, as a matter of fact, I have,” I responded.  I looked sadly at the dripping mound of Rocky Road resting on the sugar cone.  I sighed and tossed it into the trash bin. 

 

 

“Was stepping in a rancid pile of dog shit a pleasant experience for you?” she asked.

 

 

I chuckled.  “Yeah, it was a laugh riot.  By the way, this line of questioning is really squeezing the life out of an otherwise delightful evening.”

 

 

 

 

 

She laughed.  “I’m sorry,” she said.  “I’m just trying to tell you that you – by being a decent, conscientious member of society – are sparing some other unfortunate person the discomfort of scraping a noxious mess off the bottom of their shoe.  You said yourself that you would promptly clean up after your dog.  You should be over the moon that you’re that type of person.”

 

I shrugged.  “I’d still like to give that son-of-a-bitch a piece of my mind.”

 

I found the key to the apartment building.  It was the large brass one.  I slid it into the lock and gave it a twist.  I turned around and Marie was gone.

 

******

 

Pete was sitting in the chair closest to the window.  A cheap, unlit, half-smoked cigar hung from the corner of his mouth.  He peered through his dime-store reading glasses at the racing form resting on his lap.  He looked up as I entered.

 

“Hi, Slim,” he said.  He folded the form and placed it on the counter behind him.  He rose slowly, shuffled toward me and helped me off with my coat.  We shook hands.

 

“Peter,” I said.  “How are the ponies treating you?”

 

He waved it off and led me to my usual chair.  “If I ever got close enough to them, I’m sure they’d give me a good, swift kick.  For now, they’ll have to be satisfied taking my money.  The horses are nothing but a racket, Slim.  A racket.”

 

I sat in the worn leather chair.  The same chair my father had sat in, and my brother, and my uncles and cousins.  The shop had a broken-in feel to it.  The heavy aroma of talc, shaving powder, and cigars was a warm reminder of decades past. 

 

Pete took a linen smock from a neatly folded stack and snapped it open with a flourish.

 

“What’ll it be?” he asked rhetorically as he fastened the smock behind my neck.  He’d been my barber since I’d been getting my hair cut.  He knew exactly what it would “be”.

 

“Give me the Category Five,” I said.  It was an old joke about the way the top of a man’s head, with a certain type of haircut, could sometimes resemble the satellite image of a powerful hurricane.

 

Pete laughed.  His laugh lacked it’s robust confidence these days.  It was guarded and uncertain.  It was as if he wasn’t sure that he should be laughing at all.  Life, it seemed,  was letting the air out of him.

 

 

 

“You’re getting grey up top, Slim,” Pete said, snipping at my head with scissors while peering down his bifocals.  “Jesus, everyone’s getting old.”

 

“Stress has a lot to do with it,”  I said.  “These are uncertain times.”

 

“Stress?” Pete said stepping away.  “What have you got that’s so stressfull?”

 

I shrugged.  “Well, you know, everything.  Job, rent, broads, dog shit on the sidewalk, you name it.  It all leads to grey hair.”

“Did I ever tell you about my brother George,” he asked.

“Loudmouth George?” I asked.  “He’s the one who won the Korean war, right?”

Pete chuckled.  “He never let us forget it, either, did he?  Anyway….”

*******

And that is as far as it goes.  I have nothing more to say about this particular situation.  I will be moving on to something else now.

 

 

Excuse me, Mr. Zuckerberg?

Dear Mr. Zuckerberg,

It has recently come to my attention that either you or your squadron of tech guerillas has been monkeying around with the “Comment” thingamabob.  I’m sure there is a 21st-century term for what I am referring to, but I don’t know it.  In the event that you’re confused (although I can’t imagine that a man who is the distance of a gnat’s asshole away from purchasing the very solar system within which our planet tumbles is confused by much), I’ll try to paint you a picture. 

Look around, sir.  The earth is belching up tsunami’s.  Cruise missiles, at $1 million a pop, are flying around like dust particles cartwheeling through a shaft of sunlight.   As a result, my “friends” and I have some things we’d like to share with one another. 

I have thoughtful friends, friend.  My friends have a heightened sense of their own humanity.  The also have great senses of irony.  Their comedic timing often bites at the current state of world affairs in a manner that the “how r u? did u see reel houzewives of billings montana last nite?” crowd will never be able to wrap their pasta hooks around. 

The point is, the world is getting goofier by the second.  I can watch TV shows on my phone.  One of the top stories on my morning news feed informed me that Prince William will be having not one, but two cakes at his wedding next month (yes, but isn’t there a potential nuclear meltdown taking place in Japan?).

Dude!  TWO CAKES!

So, as you might imagine, there will certainly come a time where myself and my friends will have no other choice but to comment on one another’s sage remarks and caustic observations through the timeless forms of iambic pentameter and haiku.

This new jazzed-up commenting format will simply not do.  Simply put:

when

I

press

“Enter”

I

want

to

go

down

to

the

next

line.

Just like the old days.  Why does pressing “Enter” have to result in posting whatever it is I’ve type up to that point?  I don’t expect an answer, of course, as I’m sure you’re busy sliding shrimp cocktails and Oysters Rockefeller down your gullet (that’s my “class warfare” rant for the day, I promise). 

Bottom line:  You’re messing with the delicate balance of the haiku, sir.  It’s just not the same when each line of the haiku (or each line/stanza of the poem) has that hideous “time stamp” beneath it. 

We want rhythm and flow and artistic continuity and we’ll take hostages if necessary.

Daniel O’Donnell

The Run On Sentence

 I met a man named Al

who spent

five-and-a-half years

sailing around the world

with his wife

and their cat

 

Al had a lot to say

about the various

local customs

of the many places

he visited

 

I liked the one

about the Chinese men

 

Here in the West

at a friendly gathering

it is often customary

to signal an acquaintance

to approach you

by turning your hand

palm-up

extending your index finger

and flexing it

at the middle joint

repeatedly

to indicate that

you’d like somebody

who is standing

across the room

and

out of earshot

to join you

 

According to Al

this gesture

in China, anyway

indicates to men

who are standing

across the room

and

out of earshot

that

you’d like to tickle their balls